Vespa

"The Fight" by Michele Del Campo

This is how it looks like my big diptych, called "La pelea" ("The Fight"). It's part of my new exhibiting project "Viaje de no retorno" ("Journey of no Return") and now that I know the opening date I can also officially announce my 2011 solo exhibition: it will open in Lima (Peru) on 3rd November at the Galería Enlace Arte Contemporaneo and will end on 2nd December.

Work in progress... by Michele Del Campo

I'm enjoying painting this diptych, this is the stage when everything comes together and, with the image mostly defined, it's so pleasurable to build it all up with brushes on the canvas. Some of the figures are not recognizable anymore if compared with the reference pictures, I am adapting them to a more "rough" type of young people (I will show the original pictures after I finish it...)

The painting is flowing now very easily on the canvas and every day I see it growing fast. It's a real pleasure when painting comes so easy and spontaneous on a big surface.

Journey of no Return: work in progress by Michele Del Campo

It is a delicate moment of my project: after so many sketched ideas, some photo shootings and further studies with more complex compositions, I start to paint what will be the final images. Now is when six months of gestation for my new project will see the final shape and now is when the result has to match my expectations and convey the message that I want to give.

I am now involved with one of my biggest paintings ever: a diptych of 160x400cm. Even so, because of the small scale of the characters, this new painting doesn't look that big to me, certainly it will be enjoyable to work more physically from one side to another of the canvases with big brushes.

New photos in Valencia by Michele Del Campo

I am an individual artist, I don't have a team work and a big budget so I have to rely on friends, improvisation and creativity to find what I need as a visual reference.

Only one month after my previous journey, I went back to Valencia in the middle of February, as I still had in mind some good ideas and locations for a photo shooting with Carles and friends.

I went well prepared with a precise idea of what I needed, after my previous visit to Valencia and many sketches studying the scenes. The chosen location was a bridge on the peculiar Turia old river bed, which now is a park that stretches along the old city walls (the water has been diverted from the city after the Big Flood of 1957). The dried bed of the river has left large, imposing bridges under which pedestrians can go by. If I give these bridges the right atmosphere in my paintings, it can be ideal to host scenes of dark, gritty and desolated urban environment, which will be a common feature in my next solo exhibition "Journey of no Return".

I needed several male and female characters with a fairly rough look idling about under the bridge, a couple of nice looking girls with an upper class appearance and a scooter, possibly an old Italian Vespa. Sometimes the air had to be tense and the anger tangible among some of the characters, creating a sharp contrast with the two upper class girls passing by. Carles and friends had to play the role of the rougher young people, while the beautiful sisters Carla and Alejandra had to be the more elegant girls.

The difficult bit was to find an old Vespa, in fact, looking around in Valencia, I realised that this is a very rare scooter nowadays. However often I have inexplicable strokes of luck and just the day before the shooting, in front of my flat's door, while I was entering after my unsuccessful search, a guy with a beautiful and curvy red Vespa from the Sixties came to stop just beside the door. Javi is his name and he is the owner of "La Oveja Negra", a quality restaurant and tapas bar near Plaza Xúquer. He at first liked the idea, so very kindly accepted to take the Vespa to the shooting and even to pose with the others.